Catalogue d'exposition

Impressionist France [Texte imprimé] : visions of nation from Le Gray to Monet : [exhibition presented at the Nelson-Atkins museum of art, Kansas city, October 19, 2013 - February 9, 2014 and the Saint Louis art museum, March 16 - July 6, 2014] / [catalogue edited by] Simon Kelly and April M. Watson ; with Maura Coughlin and Neil McWilliam

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  • Impressionist France [Texte imprimé] : visions of nation from Le Gray to Monet : [exhibition presented at the Nelson-Atkins museum of art, Kansas city, October 19, 2013 - February 9, 2014 and the Saint Louis art museum, March 16 - July 6, 2014] / [catalogue edited by] Simon Kelly and April M. Watson ; with Maura Coughlin and Neil McWilliam
  • Saint Louis (Mo.) : Saint Louis art museum, Kansas city (Mo.) : the Nelson-Atkins museum of Art, cop. 2013
  • 1 vol. (312 p.) : ill. en noir et en coul., cartes ; 29 cm
  • 978-0-300-19695-5
  • 0-300-19695-4
  • [[Exposition. Kansa City (Mo.), The Nelson-Atkins Musuem of Art. 2014].]
  • [[Exposition. Saint Louis (Mo.), Saint Louis Art Museum. 2013-2014].]
  • [Exposition. Kansas city (Mo.). Nelson-Atkins museum of art. 2013 2014]
  • [Exposition. Saint Louis (Mo.). Saint Louis art museum. 2014]
  • 709.440 9034074 23
  • Bibliogr. p. 305-306. Index
  • "Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Freres, Édouard Manet, Jean-François Millet, Claude Monet, Charles Negre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism."
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